His creations are one-of-a-kind, his attention to detail is impeccable, and his enthusiasm for all things gruesome is unfathomable. No other filmmaker has embraced the aesthetics and effects of classic monster movies as Del Toro has, and no other director has imposed his or her taste on the genre like he does. Guillermo Del Toro is the current king of monster movies, according to the majority of moviegoers. He is most known for the fantasy films Pan’s Labyrinth and The Shape of Water, which both received Academy Awards for Best Director and Best Picture, respectively. Top Image: GuillemMedina /Warner Bros.Guillermo del Toro Gómez is a Mexican novelist, director, producer, and screenwriter. From tip to tail, a creature for the ages. The Pale Man is a single scene in Pan’s Labyrinth, yet he’s the first image most people think of when the movie’s mentioned. It’s arguable that the Pale Man is Del Toro’s most iconic creature of all, the one that has almost become famous as a stand-alone creation outside of the movie he steals. Even to omit him as a contrarian move would reek of desperation. The Pale Man was never not making this list. If you’ve ever seen Pan’s Labyrinth, the Faun has popped into your head at least a couple times uninvited since. Looking like an ancient wood carving brought to terrifying life, the Faun is a perfect menacing guide throughout the movie. The first appearance of the Faun in Pan’s Labyrinth is a moment that made everyone in the theater sit up a little straighter. It would have been easy to pop a black robe and a scythe on a ghostly looking lady and call it a day, but instead we get this incredible creation with eyes on the wings and head… plates? Look, it’s hard to describe, but not hard to agree that it rocks. Not much is a better example of that than the appearance of the Angel of Death in Hellboy 2: The Golden Army. 9 Angel of Death (Hellboy 2)Ī pattern you’ll find in Del Toro’s monsters is the taking of a creature or entity that already has a fairly accepted appearance and instead throwing that all out the window and creating an entirely new representation. Rolling around with ice-blue eyes and a bone-handled sword, it’s fairly undeniable that Quinlan is one bad mother et cetera. Though the vampires of the Strain in general are top-notch, Quinlan, a human-strigoi (Strain for vampire) hybrid, is one of the very best. Unsurprising, as it’s based on a book series that bears his name as well. The TV series The Strain may not have Del Toro as directly involved as some of his movies, but his fingerprints are all over it nonetheless. Perhaps one of the details that stuck with viewers the most was his rendition of the “reapers”, vampires that have developed a… much more efficient feeding apparatus than a couple of overly pointy canines. 13 Reapers (Blade 2)Ī bit of a throwback to a Marvel movie before there were capital M MARVEL movies, Del Toro directed the second Blade film. It’s difficult to create something that is simultaneously terrifying and seems to demand a little head pat, but Del Toro does it well. The bean-headed little beasts zoom around like toddlers off too much Kool-Aid, before feasting on an unfortunate unnamed grunt of the BPRD. 14 Tooth Fairy (Hellboy 2)Ĭute and horrifying in perfect balance, the tooth fairies make an early impression in Hellboy 2: The Golden Army. Here are 14 of Del Toro’s absolute coolest critters. The physical presence of these creepy creatures can be felt palpably on screen, and his knack for inventing and portraying all sorts of things that go bump in the night is part of what makes him one of the best directors of the modern film era. In a world of growing and unavoidable CGI, Del Toro is a committed creator of things that go bump in the night, often with practical effects. When it comes to movie monsters, Guillermo Del Toro has rightly received the rank of maestro.
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